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    SPY STORIES 3
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    Crime House - SPY STORIES 3

    Clip Description

    SPY STORIES 3
    Fetish elements: nude, erotic poses, genitals, fallings, shooting, reactions, black stocking, choking

    MANY FULL NUDE SCENES IN STOCKINGS!
    SHOOTING (No Blood and Wound Effects)
    SUICIDE
    DUEL
    CHOKING SCENES

    Different scenes about two sexy spies kill each other by guns and by hands.

    If you like this clip please also check
    GUARD STORIES
    POLICE STORIES
    SPY STORIES 2
    SPY STORIES

    Clip Duration:      12 minutes
    Format Size
    mp4386.76 MB

    Select Format


    Additional Thumbnails

    Crime House - SPY STORIES 3

    Crime House - SPY STORIES 3

    Crime House - SPY STORIES 3

    Crime House - SPY STORIES 3

    Crime House - SPY STORIES 3

    Crime House - SPY STORIES 3
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    LASER GUN STYLE - LASER GUN STYLE (50 minutes!) HURRY UP! THE 20$ PRICE IS ONLY TODAY! BASIC PRICE IS 25$! BONUS INSIDE! CUSTOM Fetish Elements: Many times shot, Topless. Laser Guns, Bloodless, Without Blood, Multy Death, Agonies, Dead Poses All girls die in all scenes, mostly one at a time (not all die at once). They are all shot in the lower belly, just below and around their bellybutton, but sometimes a final shot to their breast for a more instant or quick death (with final gasp and lunge) will work too. This will be more similar to the spaceship indigo videos, except they will wear outfits that show their belly and not be to high on their belly, and at least one girl will writhe and squirm and roll around, twisting and contorting (see sample pictures below) and have a very climactic final gasp and lunge or arch back very high (body is tensed up with eyes and mouth wide open), pause, then exhale with a moan as she relaxes down (this was missing from the previous custom). See sample video below. We like how they were arching their back up high, writhing, squirming, and lunging up in Cold Girlfriend video and the Arina and Annabelle Shot Dead Cocktail, and some of the Amazon videos was pretty good and a good example. We would like some rolling completely over and slow crawling (showing off their ass), and they should spread legs apart often so their crotch and belly is easily visible. In every scene, a couple girls can die quickly and end up in a variety of poses (see sample pictures below), often in a final pose that gives good views of belly, legs apart, or good views of their ass. One girl can writhe and squirm for a little while before a climactic final gasp and lunge (or arch back up high), and the last girl can writhe, squirm and roll around for a little longer before their climactic demise. IF YOU LIKE THIS CLIP PLEASE CHECK OUT SHORT SHOTS 30 SHOTS 40 GIRLS FIGHTING

    SAUNA OF DEATH - SAUNA OF DEATH Judi, Yana, Maria A, Annabelle GREAT TWO BONUSES INSIDE! Death Ways: Drowning To be closed in sauna – death from gas, and hot air! Garrote Strangulation Great Bodypile Plot A group of four girls, real friends, were relaxing at sauna. But maniac decided to stop their fun and do a ho massacre! He closed two girls in sauna, drowned another girl and strangled to death last girl who was alone in karaoke-room. He did great bodypile IF YOU LIKE THIS CLIP PLEASE CHECK OUT MASS MURDER IN SAUNA 4 GIRLS AND MANIAC

    Break Her Neck - BREAK HER NECK! (many scenes) Custom video Nata and Oksana Many different scenes about assassin kills an agent with neck breaking way. Many shock reactions, bone crunching, sadistic games, death poses. Fetish elements: lesbo, jeans, shorts, **** kills ****, spies, neck breaking, shock before death, Necro stripping

    SHORT SHOTS - SHORT SHOTS 10 death scenes. 30 DEATHS Starring: Marina, Annabelle, Masha Classical SHOT-DEAD COCLTAIL POV SHOOTINGS, STABBINGS No plot, just set of short shot scenes. Different death reactions. Different death stares. Sexy fallings. Bodypiles. Topless content If you like this video please check out our SHOT-DEAD CICKTAIL CATEGORY

    NOT A GOOD DAY FOR A SPY - NOT A GOOD DAY FOR A SPY CUSTOM MOVIE Film Type: Action/Spy film that goes sideways Actress: Emma Villain Actors: Crime boss: male villain Betraying agent: male or female Costume: Agent outfit, similar to what was used for Super Agents vs Villains. Length: 15-20 minutes Synopsis: Scene 1: This would be a very brief setting of the stage scene. Emma is an agent working with her partner to bring down a crime leader responsible for large scale distribution of weapons and drugs. Her partner is corrupt and is actually working with this crime leader, and wants her out of the way. The scene starts with her colleague entering heroffice and explaining that they have a lead on the leader\'s location, a warehouse (or similar location, depending on your available sets). The agent makes her way out. Her colleague calls the gang leader with his cell phone, setting up the betrayal. Scene 2: They arrive on the scene, and to the agent’s surprise, the leader is waiting for them. The agent points her gun at the boss and he only approaches closer. The leader gets too close for comfort and she fires her gun to disable him, but her gun is jammed (or loaded with blanks). Her gun was intentionally disabled by her partner. A 2v1 scene breaks out. The agent has the upper hand for a couple minutes, but ends up completely overwhelmed by the two villains.The villains turn the tables and the agent is subjected to a prolonged beat down. She gets worn down and less defiant throughout the fight. We see some bleeding throughout the fight (nose or mouth). Throughout the scene, we get some shit talking from the crime boss. The villains also pull at her outfit throughout the fight, tearing open her shirt, ripping off her skirt, and eventually exposing her breasts. She is knocked out at the end of the scene by a sleeper hold. Here\'s the type of fight elements that I would like to see: Restrained by the arms from behind by one enemy, punches by the other, villains take turns with the beating Agent choked from behind, punched by other villain Face,belly, and rib punching Punch to the neck that leave the heroine coughing and stunned Throat lift - slammed against wall Crawling away, kick to stomach Kicking when down Pulled up from the ground by her hair Bearhug Anything else - be creative! Scene 3: She is tied up, Arms over Head. The villains take turns punching her belly and face and taze her. They ber t her to the point that she is knocked out, but not dead. The villains exit, they\'ll come back later when she regains consciousness. Scene 4: She awakens. She is able to escape her binds (lockpick, wiggle free, or otherwise). Shortly after, her old colleague arrives, and another short fight breaks out. This time, she has the upper hand, and gets the villain locked in a headscissors, then snaps his (or her) neck. The crime boss hears the commotion, and arrives furious. \"You shouldn\'t have done that\". He attacks her, this time even more aggressively. He lands some heavy punches that stun her, then breaks her arms one by one. He throws her to the ground, and straddles her for a ground and pound. He relentlessly punches and slams her face. He pulls out his gun, and brushes it against her naked body. He moves the barrel between her breasts and fires a shot. She isn\'t completely dead yet. He watches her twitch and tremble for a moment, then shoves the barrel in her mouth and fires the finishing shot. He stands up, aggressively kicks her corpse once or twice, then leaves. A few body pans follow. IF YOU LIKE THIS MOVIE PLEASE CHECK OUT Super Agents vs Villains

    Witness Protection - WITNESS PROTECTION Fetish Elements: Police, shooting, jeans, boots, death stare, body inspection, postmortem striping, good girl death, cop, police girl death the first part starts in a room where a young rookie police woman prepares for her ordinary working day. She stands in front of the mirror just in her bra and panties and slowly puts her other clothes on. First she fasten buttons on her white blouse. Then she puts very tight light blue jeans with wide black belt and high boots with high heels. Finally from the table she grabs her holster with a gun and puts it also on. At the very end she applies her lipstick. When she is ready she watch herself in the mirror and smiles. She is very satisfied with her appearance. Then her phone rings. It is her chief who calls. The task she is ordered does not seem to be difficult at the first sight: she must bring a young man who is a wittness in a criminal case from his appartment to the court house where he will be interrogated in a trial. She must just assure that he comes to the court in time and safe but it is not risky, nobody supposes the problems because this man is not really important. Yes, I understand, I'll take care, she says to the phone and leaves her flat. The second part starts in front of the door. With her both hands on her hips she rings the bell and a guy opens the door. She introduce herself, says she is a police officer and informs him about her duty. He invites her in. They talk about the court trial, his and her work etc. They smile and both begins to feel that they really like each other. She flirts a little bit with him looking into his eyes intensively. He says her that she looks very attractive. Most the time she keeps her hands on her hips. Suddenly someone (out of the screen) breaks into the appartment and starts fire. She takes her gun briefly and returns firing. But as a rookie she does not have a chance. The man who has just appeared is a professional assassin who is hired by the cartel to kill the wittness. Because nobody is allowed to give evidence against the cartel, all must be killed, this is the cartel's command. In the intensive shootout the police girl is shot several times, she screams loudly and falls on the floor jerking for while in agony and then she dies. She remains lying on the floor with arms and legs wide spread, eyes and mouth open, still with a little bit suprise in her face. The wittness who was to be protected shockingly watch all the scene and the sudden death of the young girl with whome he was about to start a love affair. He is paralyzed still stares at the corpse but then he tries to escape but is also shot by the hired assassin to his back. He dies. In a complete silence the male assassin finally enters the room. He watches the girl with a weird grimace. He nods his head appreciatively because he can see how pretty and young she was. Then he starts slowly to search her perfect and slim body. If you like this movie please also check FALLED MISSION FALLED MISSION 2

    DEATH SCENES - DEATH SCENES Starring: Nata and Hass Custom Clip 17 minutes 10 scenes 20 deaths Exotic, grotesque poses, expressive reactions, deadly surprised emotions, agonies, bodypiles, bottom up bodypiles and ultra sexy poses Stabbings and shootings! Catfightings to the death! GREAT ACTING NEW LEVEL OF SHOT DEAD COCTAILES FULL HD, Great CameraWork, Best DarkRoom traditions 100% death fetish clip! Scenes detailed descriptions: Scene 1. Nata is holding a gun, her legs spread apart. Nata aims to shoot (at an off-screen, unseen enemy), but she is shot in her lower belly, making her gasp with her eyes and mouth wide open and she puts her hand where she was shot. She stumbles and then falls to the floor into this pose. Pictures show facial expression when shot, body reaction, and death pose. Hass comes in and gets on her knees beside Nata and checks her, Hass\\\'s legs are spread apart while on her knees. Hass grabs the gun and aims, but she is also shot in her lower belly, making her gasp as her head and shoulder fling back (her face looking at the ceiling), her back curved and ass sticking back a little and she puts her hand on her lower belly. The camera shows a good profile view of Hass. Hass then falls forward over top of Nata (do not cover Nata\\\'s crotch). Hass has her ass in the air and her legs spread apart. Scene 2. Nata is aiming (similar to first sample picture) but gets shot in her belly and reacts (second sample picture) and she falls to the floor in this death pose (third sample picture) , with one knee forward propping up her hips and her legs still spread apart. Hass is aiming and also gets shot in her lower belly. Hass falls to the ground and begins to writhe, squirm and roll around slowly as she has her hand on her lower belly (keep hand on belly entire time). While Hass is writhing, she rolls over face-down, lifting her ass up into the air (camera shows nice view of her ass), then rolls completely over onto her side and back. Hass moans and makes sexy sounds (moans and other sexy sounds) as she writhes, arching her back up, her legs spreading apart often (camera shows between her legs and good views of her belly, hips, and ass while she is writhing. After writhing, squirming, and rolling over for about 15 or 20 seconds, Hass gasps very loudly with her eyes and mouth open wide as her back arches very high and her legs spread (similar to photo below), then after a pause for 2 or 3 seconds, she slowly exhales with a soft, sexy moan as her body slowly relaxes (not sudden drop), as her eyes roll back and she goes limp, her leg falls to one side into her death pose and has a good death stare. Scene 3. Hass is shot in her lower belly, making her react with a sexy squeal as her body reacts (ass and hips thrust back, her back arched) as she puts her hand on her lower belly. She is shot again under her breast, making her body react (similar to first photo). She stumbles and then falls into this pose (second photo): Hass has one final gasp, her hips lifting into the air a little, then she exhales with a sexy, soft sigh and relaxes her body, her hips sink back down. The camera shows 3 good camera angles, one showing between her legs and her ass, from above her, and also of her face and ass in the background. Nata walks in and gets on her knees beside Hass. Nata checks on her, then slowly rolls Hass over (pulling on her hips). Camera shows Hass\\\'s hips and ass as she is rolled over, her legs still open. These sample pictures show good camera angle of Hass, Hass being rolled over, and the new pose for Hass: Nata is then shot in her lower belly, making her react, then she falls over top of Hass Scene 4. Hass and Nata are holding fake knives, and they get locked together (holding each other\\\'s wrists), and push up against each other, legs spread apart. Camera shows profile view and also behind as they struggle with knives. Then the girls fall to their knees, similar to these photos: Nata forces her knife between them, the knife low to the ground, both girls have their back curved and ass sticking out some, with legs apart. Nata slowly overpowers Hass, forcing her knife upward, closer to Hass\\\'s belly, then she thrusts upward, stabbing Hass below her bellybutton, making her gasp and squeal as her back curves down more (hips thrust upward). When Nata pulls the knife out, Hass exhales with a moan and goes limp, slumping onto Nata. Nata holds her up for a few seconds, then lets Hass fall backward, her legs tucked under, into the pose in the sample picture. One sample photo shows a good body reaction from an upward stab to her lower belly, her back curved down some, her ass out, and legs spread. The second photo is the death pose after falling back. Nata then rolls Hass over into this pose and several camera angles are shown, including between her legs and good view of her ass. Nata gets on one knee in a victory pose over top of Hass (see sample photo). Nata does not know Hass is still alive and has a knife. Hass surprises Nata with a stab to her lower belly, making her gasp. After reacting to the stab, Nata slumps to the side of Hass, with her leg over Hass. See sample photos for victory pose as well as death pose (body pile where their ass is still showing): Several camera angles are shown, showing good ass views and between their legs. Scene 5. Nata shoots Hass in her lower belly, Hass puts her hands on her belly, and then Hass falls slowly to her knees, her legs spread (similar to first photo). Then Hass\\\'s eyes go cross (cross-eyed, similar to second photo), and then she slumps forward, her hips and ass high in the air, her legs spread, similar to the third photo (her legs spread, back curved down): Camera shows good angles, including between her legs, camera low to ground and looking up between legs, camera angle from over top of her looking down, profile view, and of face with ass in background (about 10 seconds). Nata walks to Hass and nudges her hips , which very slowly makes Hass\\\'s hips sink down to the ground (camera from behind showing her hips sink down). Then Nata uses her foot to slowly roll over Hass into a new pose. Pictures show camera angle after her hips sink down to the ground, being rolled over, and the new death pose for Hass. Nata is then shot by off-screen, unseen enemy and she falls. Scene 6. Hass and B are standing near a couch (or bed). Hass is shot in her lower belly, making her react with a loud gasp (eyes and mouth wide open), then a sexy moan, then she falls forward (over the edge of the couch, or off the bed), so her upper body is off the end, her face and shoulders on the ground, but her hips and ass are propped up in the air and her legs spread (see sample pose pictures). Camera angle showing between her legs, from above, at floow level showing her face with her ass and hips in the background, similar to these deaht poses and camera angles: Nata is then shot, making her react in a similar way as Hass. Nata falls back and is either draped back over the couch arm, or draped off the edge of the bed, her legs spread far apart, her back arched over the edge. One leg can be propped up on back of couch or someting else. Both Hass and Nata are close together, but not covering each other. See these sample pictures for Nata, either one will work. Both girls should have a nice death stare. Scene 7. Nata is holding a knife and Hass walks in holding a gun. Hass shoots Nata in her lower belly, making her moan and put her hand on her belly, then she falls to the ground on her back and is limp. Nata is still holding the knife. Hass does not know Nata is still alive. Hass walks over and sits on Nata, similar to these pictures: Nata is still holding her knife, she wakes up without Hass knowing. Nata reaches around and stabs Hass in her lower belly (or in her side), making Hass react with a gasp, her back curved, her face looking toward ceiling, similar to this pose: When Nata pulls the knife out, Hass exhales with a sexy moan and goes limp, slumping forward, her legs still straddling Nata. Hass\\\'s ass still propped up into the air. After camera gets several good camera angles, including between her legs and also floor level showing her ass and hips in the background, then Nata sits up, similar to these photos: To make sure she is dead, Nata stabs Hass in her lower back, making Hass softly gasp and lift her hips and ass up into the air a little, then exhale with a soft sexy moan as her eyes go cross and she dies. Nata then gently rubs her hands down Hass\\\'s body, and then fondles her ass some. Then Nata very slowly rolls Hass off to the side into a new death pose with legs spread apart far and knee bent, similar to this pose: Nata then holds her lower belly, falls back to the floor, and begins to write and roll around, her legs spreading apart, arching her back up, rolling on her side and twisting, rolling over and lifting ass and hips into the air, similar to these sample pictures: Then, Nata suddenly gasps very loud and lifts her entire body up, her legs spread. After a pause for a few seconds, she slowly exhales with a soft sexy moan and relaxes her body down as her eyes roll back (not a sudden drop or plop to the floor). Scene 8. Both girls are on their knees holding knives. They get locked together, pushing against each other, then they fall over to the floor and begin rolling around, one girl on top, then the other, and sometimes both on their side, their legs intertwined. These photos show the action: Hass finally gets the advantage, she gets to her knees, Nata still on the floor, her legs spread apart. Hass gets her knife free and with Nata\\\'s legs spread far apart, she stabs her below her bellybutton, making her gasp and arch her back up, her legs still spread apart. Sample photos show Hass on her knees, Nata has legs spread apart, and her reaction to being stabbed: When Hass pulls the knife out, Nata exhales with a sexy moan and her eyes roll back and she goes limp. Hass gets beside her (opposite side as camera) and runs her knife across her body while camera shows good view of her belly and between her legs. Hass does not know that Nata is still alive. Hass gets on top of Nata straddling her (similar to first photo), and leaning forward so her face is close to Nata, similar to second photo (talking trash to her), Hass\\\'s ass is up in the air, her back curved downward. Hass does not know Nata is still holding a knife. Nata is playing dead, and without Hass knowing, she sneaks a knife underneath Hass. Nata surprises Hass with an upward stab into her lower belly (below her bellybutton), making her gasp as her back curves downward more, her eyes and mouth wide open (camera must show her body when stabbed). Camera shows view of her face with ass in background, a good profile view (showing knife in her belly), and a good angle from behind, showing her ass and up close between her legs. After the camera views, Nata puts her other hand (opposite side of camera) on Hass\\\'s lower back, then pulls her downward onto the knife more, making Hass gasp and moan in a sexy way, then she exhales and her eyes go cross and her tongue sticks out as she goes limp, slumping forward over top of Nata. Hass\\\'s ass in the air. Sample photos show facial reactions for Hass and her death pose on top of Nata. Scene 9. Hass is standing guard, her legs spread apart. Nata is holding a knife and sneaks up from behind. Nata puts one arm around Hass\\\'s neck, then reaches around with the knife and stabs her below her bellybutton, making her gasp and arch her back, her ass pressing into Nata. Sample pictures show good pose while standing guard and sneak frorm behind, arm around neck and curving back, and good sample picture of lower belly stab and body reaction. The fourth sample picture shows a great camera angle looking up between her legs before she slides down and while she is sliding. Other good camera angles are from the front, and also a profile view with the knife in her belly. Hass moans, puts her hand on her wound, then Nata pulls the knife out, which makes Hass moan. Hass then slowly slides down to her knees, her legs spread apart. Nata then gets on her knees behind Hass. Nata reaches around Hass again and stabs her in her lower belly again, with a similar reaction to this sample picture: After Hass reacts to the second belly stab, her legs begin to spread apart as she slides down to closer to the ground. Nata then slowly pulls Hass back on top of her. Nata stabs her in the bellybutton, making Hass gasp as her back arches upward, legs spread, then after a pause, she slowly exhales with a sexy sound and goes limp. Sample pictures show Hass with legs spread and a great camera angle between her legs, and the final belly stab and reaction. Nata then fondles Hass for a few seconds while camera shows between her legs and another good body view. Then Nata slowly rolls Hass into a new death pose (sample pictures): Nata is turned on. She gets on all fours over top of Hass (who is dead), Nata\\\'s legs are spread apart. Nata puts the knife in Hass\\\'s limp hand. Nata moves the knife up and down her body, then she stabs herself below her bellybutton (while Hass\\\'s hands are on the knife), making Nata react with a sexy moan and a little sensation of pain as her back curves downward. Camera shows view of her face with ass in background, a profile view, and a view from behind (showing ass and between legs). Nata then pulls the knife out with a sexy moan. Nata is very turned on. She then stabs herself again in her belly, making her gasp with eyes and mouth wide open, then she has a pleasureful look. She pulls the knife out and her eyes roll back as she exhales with a soft sexy moan and goes limp, slumping forward over the top of Hass. Nata\\\'s ass is in the air, her legs spread (Nata should not cover Hass\\\'s crotch). Scene 10. Hass and B have knives and get locked together. Hass pushes Nata back over the couch cushion, Nata\\\'s back is arched over the cushion and her legs are spread far apart. Hass is between her legs (there is a gap between them so camera can see Nata\\\'s belly and between her legs). They push up onto the couch even more and Nata is over the couch arm, her legs spread apart, and Girl is is over top of her. Nata\\\'s legs are spread apart, one leg on the back of the couch. Sample pictures show pushing over couch, and up over couch arm while fighting with knives: Nata drops her knife, and Hass pushes over the couch arm. Hass then stabs Nata below her bellybutton, making her gasp as her back curves over the couch arm even more. Hass pulls the knife out, making Nata moan. Hass moves back (not blocking camera view) while Nata holds her belly and writhes, her back still curved over the couch arm, her legs spread. Nata twists, lifts her body up, lifts her legs as she writhes. Sample shows back arched over couch arm and also writhing, lifting legs, lifting body up. Hass then gets near Nata\\\'s face and moves the knife up and down her body, then stabs her in the bottom cleavage of her breast, making Nata gasp loudly as she arches her back high and lifts her body up, one leg on the back of the couch as she lifts up, then when Hass pulls the knife out Nata\\\'s eyes instantly go cross as she exhales with a sexy sound and her body slowly sinks back down (not sudden drop) and she is left draped backward over the couch arm, one leg on the back of the couch, legs open wide. Sample pictures show arching back and lifting up when stabbed in breast, and several samples of death poses draped back, one leg up. Camera shows 8 seconds of showing her dead body, with a good view between her legs, from above, and another showing her face with her eyes crossed. Hass then pulls and pushes Nata off the couch, and Nata slowly rolls over and falls to the floor, one leg still up on the couch (see sample picture of new death pose). Hass then puts one leg up on the couch into a victory pose (see sample picture). Then Hass is shot in her lower belly by an off-screen, unseen person and Hass reacts with a gasp (eyes and mouth wide open) as her back curves. Hass falls forward over the couch cushion, her legs spread apart, her ass in the air. She rolls over with her back curved over the couch arm, legs spread, as she writhes, lifting leg, turning from side to side (showing views of her ass), her hips and legs are off the edge. Hass is shot again in her lower belly, making her react, back curving over the cushion. She then turns over, her legs spread far apart, ass in the air. She wants to end it, so she grabs the knife on the couch cushion. With her back curved downward, she stabs herself in the bottom cleavage of her breast, making her gasp, then her eyes quickly go crossed and tongue out as she exhales with a sexy sigh and goes limp, her ass still in the air. Sample pictures show the new death pose for Nata, Hass\\\'s victory pose, Hass falling over the couch arm, Hass writhing, then final death pose and facial expression for Hass. IF YOU LIKE THIS CLIP PLEASE CHECK OUT SHORT SHORTS And check out 9 stabbing of Nata

    ANGELINA GARROTTA EXECUTION - ANGELINA GARROTTA EXECUTION CAST: Angelina, Max CUSTOM «Thank you, that was excellent, even better than I expected! The lighting and camera work were great, and so was the acting. You captured what I wanted and threw in some nice extra elements too. And the process was very smooth and fast». Customer’s Review Victim: Angelina. Her hairstyle should be down like in Single Bullets, she should wear her favorite stylish dress and makeup. Executioner: Any male actor, should look like a gentleman and wear something formal like the male actor in Suspicion. The executioner walks Angelina to the garroting chair. Angelina’s arms are handcuffed behind her back and the executioner holds her upper arm. The executioner sits Angelina down in the garroting chair. He does not put the rope around her neck yet. He then pulls up a folding chair and sits down in it, leaning in and facing Angelina at eye level. Angelina is confident and gives the executioner a seductive smile. The executioner says: “You look stunning today.” Angelina says: “Of course, I know this is being filmed for the victim’s family. I used to be a model, I want to give them a good last performance. I owe them that for their son.” The executioner says: “You will have your chance in a minute, we just have to wait for the last call from the Tribunal.” Angelina takes a deep breath and then asks: “Will this hurt?” The executioner says: “Only for a few minutes. I will be as gentle as I can. Are you afraid?” Angelina thinks about this for another moment and then says: “Yes.” The executioner says: “I have a little gift for you.” He unlocks Angelina’s handcuffs and then gives her a flask or mini-bottle of vodka from his pocket. He says: “Here, drink this. It will give you some courage.” Angelina takes the bottle and drinks it as the executioner’s phone rings. The executioner answers his phone. It is the Tribunal, and they tell him Angelina’s last appeal has been denied. The executioner acknowledges this and hangs up. Then he faces Angelina to tell her the bad news: “Your last appeal has been denied. Are you ready?” Angelina’s eyes become more afraid. She says, “Wait, wait: You have been so nice to me. I have a little gift for you too. She starts to take off her dress and signals the executioner to help. The executioner helps her take off her dress and throws the dress on the folding chair. Angelina is now completely nude and the executioner stares at her body. Angelina says: “Go ahead, you can touch them.” The executioner gently feels Angelina’s breasts and strokes her vagina. He says: “Very nice.” Angelina says: “I know, it would be a shame to bury them, right?” She summons up all of her composure and tries her best to seduce the executioner to let her go. The executioner just shakes his head and stands up, takes Angelina’s arms, and handcuffs them back behind her back. He also slides the rope around her neck. As he is doing this, Angelina begs him: “Wasn’t that fun? I could keep doing that.” The executioner still says nothing, just walks back around to face her. He takes a piece of paper out of his jacket pocket and reads her sentence: “Angelina [last name], you have hereby been sentenced to death for murder. Do you have any last words before the sentence is carried out?” Angelina begs him: “No, please, this is such a waste of talent.” The executioner goes behind her as Angelina loses her composure and panics, and the executioner tightens the rope. Angelina struggles. I like her struggle in Mass Female Execution, but she shouldn’t go cross-eyed. It should be a little bit less dramatic and more realistic than in Female Criminal Executed Garrote. She should struggle to open her mouth for air but not be able to open her mouth so wide. Also, Angelina’s neck should stay pinned to the back of the chair because of the rope, but the rest of her body should struggle. She should become weaker gradually over 5 minutes or so without a big dramatic gesture at the end. Then, she becomes limp and unconscious. Her knees should be close together but lower legs and feet should be splayed apart in different directions. Her eyes should also be closed. There should not be blood, but can you use makeup to create a subtle bruise on Angelina’s neck where the rope was? After Angelina goes limp, the executioner keeps the rope tight around her neck. The camera pans over all the details of Angelina’s body from her feet to face for another 2 minutes or so. After this is done, the executioner loosens the rope, feels Angelina’s neck for a pulse, and then carries her to a gurney that he wheels to the morgue. Finally, there is the morgue scene where Angelina lies on a slab with a toe tag, like in Female Criminal Executed Garrote. Except, her hands should be folded on top of each other and rested on the center of her body just under her breasts. The executioner will walk around and take a few pictures of her body from different angles with a camera to send to the victim’s family. Finally, he walks away and turns off the lights. IF YOU LIKE THIF FILM PLEASE CHECK OUT FEMALE CRIMINAL EXECUTION FEMALE CRIMINAL EXECUTION 2 FEMALE CRIMINAL EXECUTION GARROTA

    9 STABBINGS OF NATA - STABBING OF NATA 9 POV SCENES Nata is stabbed by intruder. This fetish clip shot in POV style. No blood effects, just stabbings. 1 scene – Nata is stabbed many times during kitchen cleaning 2 scene - Nata is stabbed in her head during washing dishes 3 scene - Nata is stabbed in her back in the kitchen 4 scene - Nata is stabbed many times during her web-surfing on her bed 5 scene - Nata is stabbed in her heart. Quick death 6 scene. Nata commits suicide with her knife stabbing herself many times in her stomach and breasts 7 scene. Nata was stabbed in her heart incidentally 8 scene. Nata stabs herself to her neck 9 scene (bonus) Nata was poisoned by milk. Very sexy reaction and death stare If you like how Nata plays death please go to http://nicheclips.com/shop.php?store_id=145 And check out 7 deaths of spy
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